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Antonina Miliukova : ウィキペディア英語版
Antonina Miliukova

Antonina Ivanovna Miliukova ((ロシア語:Антонина Ивановна Милюкова); )〔(Tchaikovsky Research )〕 was the wife, and after 1893, the widow, of Russian composer Pyotr Ilyich Tchaikovsky.
After marriage she was known as Antonina Tchaikovskaya.
== Early years ==
Little is known of Antonina before she met Tchaikovsky. Her family resided in the Moscow area. They belonged to the local gentry but lived in poverty. The family was also a highly fractious one. Tchaikovsky tells us as much in a letter he wrote his sister Alexandra Davydova during his honeymoon:
After three days with them in the country, I begin to see that everything I can't stand in my wife derives from her beginning to a completely weird family, where the mother was always arguing with the father—and now, after his death, does not hesitate to malign his memory in every way possible. It's a family in which the mother ''hates'' (!!!) some of her own children, in which the sisters are constantly squabbling, in which the only son has completely fallen out with his mother and all his sisters, etc., etc.〔Klimenko, Ivan, ''Moi Vospominany'', as quoted in Poznansky, Alexander, ''Tchaikovsky: The Quest for the Inner Man'' (New York: Schirmer Books, 1991), 226.〕

In a separate letter to his patroness Nadezhda von Meck he added that, in the company of his in-laws, "all nearly at daggers drawn with one another... () torments increased ten-fold.... I find it difficult to express ... what a terrible degree my moral agonies were reaching."〔As quoted in Poznansky, 226.〕
Antonina first met Tchaikovsky in 1865 at the Moscow home of a mutual friend, Anastasia Khvostova, a well-known singer. His close friend Alexei Apukhtin was staying with her, and Anastasia's brother Nikolai had been a classmate of Tchaikovsky's brother Modest at the School of Jurisprudence. Antonina was 16 at the time; Tchaikovsky was 25. He did not remember her from this meeting. She, on the other hand, reportedly held a torch for him from that time forward.
She reportedly gave up work as a professional seamstress to study music at the Moscow Music Conservatory. Tchaikovsky was one of her professors. Eventually she had to abandon her studies at that institution, probably as a result of financial troubles. She wrote to Tchaikovsky on at least two occasions in 1877, two years after she had left school. At that time she was 28, far past the age at which women of that time generally married.

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